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the family cat the family cat
edmund hornsby is the author of the forgotten band planet. his help has been invaluable in the construction of www.thefamilycat.com.

the articles below were assembled by him and the words accompanying them are by his own fair hand :
the family cat the family cat  
from the rough guide to rock :
formed yeovil, england, 1988; disbanded 1994. the family cat -paul frederick (vocals/guitar), stephen jelbert (lead guitar), tim mcvay (rhythm guitar), john graves (bass) and kevin downing (drums) - made their london debut in april 1989, and were immediately signed up by john yates for his new bad girl label. their first release in july of the same year, tom verlaine, was an immediate success. an nme single of the week, it featured layered guitars meandering over a hypnotic lead and sturdy bassline, and did not disappoint those who had already witnessed the band's blistering live shows. the success of tom verlaine sent the band and its producer, ex-jam drummer rick buckler, into the studio to record a mini-lp, tell 'em we're surfin' (1989), but the results were let down by a lacklustre production. as one review at the time put it, 'the family cat are snarling when they should be roaring'. buckler was relieved of production duties and the band's next release, "remember what it is that you love", was more indicative of their live sound, and showed well in the indie charts. thanks to the distinctive artwork of iain stronach, the family cat were also becoming as famous for their record sleeves and highly original t-shirts as they were for their records. on an upward curve, the band felt they had reached a point in their career where bad girl was no longer big enough to support them and so, after releasing a place with a name towards the end of 1990, they left to sign to dedicated. after a year of touring and recording, early 1992 heralded the release of steamroller, a sustained guitar-led onslaught built on a staccato-style drum base. the music press hailed it as a glorious return to form but its failure to make even the smallest of dents on the chart set the scene for frustration in years ahead. the band enlisted the help of polly harvey on backing vocals for their next two singles, colour me grey and river of diamonds, but rave reviews were accompanied by a confusing lack of sales.

the band's second album, furthest from the sun (1992), suffered the same fate, disappearing after just one week in the lower reaches of the charts. airplane gardens, released in august 1993, scraped the very foot of the charts, then the family cat embarked on eight months of further recording and gigging, before the release of their third album, magic happens (1994). again, favourable reviews weren't matched by commercial recognition. the single wonderful excuse almost hit the top 40, as did goldenbook, which was backed by the admirably titled bring me the head of michael portillo. however, years of being unable to convert media adulation into commercial success finally took its toll and, frustrated and disillusioned, the family cat went their separate ways at the end of 1994.
furthest from the sun (1992; dedicated/big cat). the band's first full-length lp, and a solid progression from their previous work. thumping soundscapes and cascading guitar-driven melodies work magnificently on tracks such as colour me grey and with a war, while the title track finds the band in a more poignant, soulful mood. magic happens (1994; dedicated/big cat). another progression, this captures the band in a more thoughtful state of mind, perhaps brought on by their consistent inability to achieve mainstream recognition. tracks such as amazing hangover and rockbreaking show real depth, whilst gone, so long is perhaps the most evocative track the band ever recorded. andy lowe taken from the rough guide to rock. © rough guides ltd. first edition published aug 96 / nov 96 (usa)


jason ankeny, all music -

formed in yeovil, england in 1988, the noisy family cat comprised vocalist paul frederick, guitarists stephen jelbert and tim mcvay, bassist john graves and drummer kevin downing. after making their london debut the following april, the group was promptly signed to the fledgling bad girl label, soon issuing their debut single tom verlaine to widespread acclaim. with ex-jam member rick buckler handling production chores, the family cat recorded their first mini-lp, tell 'em we're surfin', in 1989; the follow-up, remember what it is that you love, was also a major hit on the indie charts. after releasing a place with a name at the end of 1990, the family cat jumped to the dedicated label, and spent the whole of 1991 on tour and in the studio. finally, in 1992 the steamroller single appeared to favorable reviews, but little chart interest; a similar fate met the subsequent colour me grey and river of diamonds, both of which featured backing vocals from polly jean harvey. after 1992's furthest from the sun lp, the family cat fell silent for close to a year, resurfacing in august 1993 with airplane gardens. another lengthy tour followed before the release of 1994's magic happens; although both wonderful excuse and goldenbook narrowly missed the u.k. top 40, the band, having grown frustrated by its lack of success, separated soon after the record's release. guide


nitsuh abebe, all music guide --

despite the fact that furthest from the sun contains two tracks from the family cat's steamroller ep, it fails to deliver on the entertainment that record offered -- the lp certainly isn't bad, but it lacks the appealing pop dedication that made the ep interesting. the five tracks on the steamroller ep have a fuzzy pop dedication and a vaguely post-punk/new-wave tone that would make them completely at home on the soundtrack of a john hughes film -- the band draws from britpop influences like a house and the psychedelic furs (tom verlaine steals a guitar riff from all that money wants), and winds up with a highly melodic sound that has some truly appealing moments. two tracks, steamroller and color me gray wound up on 1993's furthest from the sun lp -- a record which, strangely enough, isn't nearly as entertaining as steamroller.


personally, i thought the family cat were amazing, i saw them many times in the years after furthest from the sun and was never dissapointed with their performance!

the record's vary in quality, but you really can't go wrong with either album.

of all the people i quote above, it is nitsuh i disagree with the most, (he's done opinions for other band's and an 'expert' he is not). for example 'furthest from the sun' contains the epic 'fire music', the pj harvey fronted (though admittedly not in the album guise), 'color me grey' etc etc etc.

the steamroller ep came out after it (in the uk), whether he means the us one or not we don't know! etc etc etc...

sorry to nit pick but i spent a long time getting all this stuff and it bugs me!

anyway, enjoy the site, hunt out the records and feel free to mail me!

- edmund.
the family cat the family cat
more of edmund's words, as well as a huge family cat discography, can be found at his site the forgotten band planet.
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