|
LYNCH
|
| John Alexander |
The Films of David Lynch (Charles Letts & Co. 1993) |
| Philip Brophy |
'Muzak for Films and Airports', in The Wire, issue 173, July 1998, pp. 40 - 41. |
| Michel Chion |
David Lynch (BFI 1992, Eng. trans. 1995)
can be ordered from
amazon.com |
| Richard Corliss |
"Czar of the Bizarre", Time magazine 10/1/90 |
| Timothy Corrigan |
A Cinema Without Walls (Routledge 1991) Chapter 2
"Illegible Films" |
| Jim Hillier |
American Independent Cinema: A Sight and Sound Reader (BFI 2001) |
| David Hughes |
The Complete Lynch (Virgin 2001) |
| Kenneth C. Kaleta |
David Lynch (Twayne 1993) |
| Martha P. Nochimson |
The Passion of David Lynch (University of Texas 1997) |
| John O'Mahony |
'Wild at Art', Saturday Review, The Guardian, 12 January 2002, pp. 6 - 7. |
| John Orr |
Cinema and Modernity (Polity Press 1993) |
| Fred Pfiel |
"Home Fires Burning: Family Noir in Blue Velvet
and Terminator 2", from Shades of Noir (Verso 1993) by Joan Copjec (ed.) |
| Chris Rodley |
"Mr. Contradiction", Sight and Sound magazine 7/96 |
| Chris Rodley |
Lynch on Lynch (Faber & Faber 1997) |
| David Foster Wallace |
"Dream Weaver", Premiere magazine 10/96 |
| Robin Wood |
Hitchcock's Films Revisited (Faber and Faber 1991),
Introduction (1989) |
| Woods, Paul A. |
Weirdsville USA: The Obsessive Universe of David Lynch (Plexus 2000) |
| |
|
AUTHORSHIP / SOUND
|
| John Caughie (ed.) |
Theories of Authorship (Routledge/BFI 1981) |
| Pam Cook |
The Cinema Book (BFI 1985) |
| Timothy Corrigan |
A Cinema Without Walls (Routledge 1991) Chapter 4
"The Commerce of Auteurism" |
| Richard Dyer |
Stars (BFI 1979) |
| Umberto Eco |
Travels in Hyper-Reality (Pan 1987) |
| Susan Hayward |
Key Concepts in Cinema Studies (Routledge 1996) |
| Susan Hayward |
French National Cinema (Routledge 1993) |
| R. Kostelanetz |
John Cage: An Anthology (Da Capo 1970) |
| Robert Lapsley and Michael Westlake |
Film Theory: An Introduction (Manchester
University Press 1988) |
| Scott Lash |
"Post-modernism as Humanism", from Theories
of Modernity and Post-modernity (Sage 1990) by Bryan S. Turner (ed.) |
| Robert Phillip Kolker |
A Cinema of Loneliness (Oxford University
Press 1988) |
| Andrew Sarris |
"Notes on the Auteur Theory in 1962", "Towards
a Theory of Film History", from Film Culture Anthology (Secker and Warburg 1971)
by P. Adams Sitney (ed.) |
| Neville Wakefield |
Post-modernism: The Twilight of the Real
(Pluto 1990) |
| Fritz Winckel |
Music, Sound and Sensation: A Modern Exposition (Dover 1967) |
| Peter Wollen |
Signs and Meanings in the Cinema (Secker and
Warburg 1971) |
| Robin Wood |
Hitchcock's Films Revisited (Faber and Faber
1991), Chapter 15 "Star and Auteur" |
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| Also thanks to: |
Wrapped In Plastic magazine
Win-Mill Productions, 1912 E. Timberview Lane, Arlington, TX76014, USA |
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